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Sunday, 29 December 2013

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Dry and hard when you buy them, tubers soften and plump up after absorbing moisture. You might be advised elsewhere to soak tubers before planting. It's not necessary, and if you happen to leave them in water too long, they'll turn to mush.

Choose a location in full sun and be sure the soil is well drained. The one environment that ranunculus do not tolerate is warm and wet. The cool soil of fall and early spring offers some protection from rotting, but soil that is never soggy gives extra insurance. Plant the tuber's claw pointed end down and 1 to 2 inches deep, less in clay soil. Space jumbos 8 to 12 inches apart (at least one tuber per square foot), number three tubers about 4 inches apart (two or three per square foot).

Ranunculus adapt easily to container life, but they do produce a large root system. A 10-inch pot can fit one or two jumbos or three number twos.

Whether tubers are in the garden or in pots, water thoroughly after planting, and apply a mulch of your choice: bark, coco hulls, and straw all work well. As long as soil retains some moisture, don't water again until you see sprouts, usually within 15 to 20 days.

Companion plants. Because ranunculus are cool-season bloomers, their natural companions include other cool-season flowers such as snapdragon (Antirrhinum), calendula, larkspur (Consolida ambigua), Chinese forget-me-not (Cynoglossum amabile), African daisy (Arctotis), candytuft (Iberis), sweet pea (Lathyrus odoratus), toadflax (Linaria), forget-me-not (Myosotis), Iceland poppy (Papaver nudicaule), primrose (Primula), and pansy (Viola). The question is how to combine colors.

Here are two ranunculus color schemes that have proven popular. Interplant pink ranunculus with salmon Iceland poppy and red-purple pansies, and accent with a few yellow and pink English primroses. Another favorite scheme combines salmon ranunculus with blue Chinese forget-me-not.

Ranunculus from seed. If you can locate seed for sale or through a swap, they're definitely worth the effort. Sow in a lightweight, peat-based seed-starting mix in late winter, maintain soil temperature at 50°F, and allow 20 to 30 days for germination. Sow thickly, because the number of seeds that actually grow is low. After germination, maintain seedlings indoors at about 55°F until outdoor planting time. Plants will flower by June.

As cut flowers. Beyond their intrinsic beauty, ranunculus flowers have another virtue: they last indoors about 7 days after cutting. And at about a penny-and-a-half per flower, they are very inexpensive. Cut when flowers first show color, in the early morning after they have had the night to recharge themselves with moisture. For an additional day or two of vase life, add any floral preservative to the water.

After the flowers fade. For some lucky gardeners with perfectly drained, cool soil, the tubers can stay in place and be treated like any perennial that comes back year after year. But this is rare. Most gardeners treat ranunculus as annuals, disposing of them after bloom. You could pull and compost plants, or leave them in place to fade away. In most gardens, the tubers will rot in moist summer soils. More ambitious gardeners can save the tubers for replanting next year. Let blooms fade and plants dry out. Lift tubers, cut off tops, and store in a dry, cool place for planting next year.

Michael MacCaskey is a former editorial director at National Gardening.

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Brilliantly colored flowers are ranunculus' chief attraction, and they are indeed special. They most often come in multiple layers of delicate, crepe paper--thin petals, looking like an origami masterwork. Ranunculus (R. asiaticus) excel in southern and western gardens, and make terrific container plants everywhere. They also make long-lasting cut flowers. Bulbs are widely available in Fall at retail nurseries in mild-winter climates; in Fall and early spring from mail-order catalogs.

Ranunculus leaves, grass green and vaguely celery-like, grow in a mound 6 to 12 inches across. Flowers on 12- to 18-inch stems emerge in March from fall-planted bulbs, June and July from spring-planted bulbs; they last up to six weeks. On the most common type, the Tecolote strain, flowers are mostly fully double, 3 to 6 inches wide, and available in bicolored picotee, gold, pastel mix, pink, red, rose, salmon, sunset orange, white, and yellow. The less common Bloomingdale strain is shorter, to 10 inches, with pale orange, pink, red, yellow, and white double flowers.

Where and How Ranunculus Grow Best

Broadly speaking, ranunculus are frost-hardy cool-season perennials. They perform best where winters are relatively mild and springs are long and cool. The roots tolerate soil temperatures to 10°F, while growing plants can handle temperatures below 20°F for several hours.

Ranunculus are most popular in the mild-winter regions of the South and West, in states such as California, Nevada, Arizona, New Mexico, Texas, and Louisiana (USDA Hardiness Zones 8 through 11), where they grow best. Planted there in October or November, they flower in March.

The clawlike bulbs, more correctly tubers, come in four grades or sizes. The largest, called jumbos, are the ones you should rely upon; they are at least 7 to 8 centimeters (2-3/4 to 3-1/8 inches) in circumference, or about 7/8 inch in diameter. Number one tubers are slightly smaller, 6 to 7 centimeters (2-1/4 to 2-3/4 inches); number twos are 5 to 6 centimeters (2 to 2-1/4 inches); and number threes, which are rare at retail, are 3 to 4 centimeters (1-1/8 to 2-1/4 inches).

Bulb size predicts the number of flowers. Each jumbo bulb will produce some 35 cuttable flowers, compared to a fifth as many from a number three bulb. Number ones will make about 20 flowers, number twos a dozen or more. Stick to jumbos for containers and most smaller plantings. Smaller number twos or even threes serve well for mass plantings.

At retail nurseries this fall, you can expect to pay about 50 cents for each jumbo bulb, 25 cents for number twos. Increasingly, nurseries also offer ranunculus in fall or spring as bedding plants in 4-inch pots. While the cost per bulb in pots is greater, this is a good option if you need only a few plants for a container.

Gardeners in zone 7 and north (Richmond and Reno to Minneapolis) can also grow ranunculus, but on a different schedule. In these regions, plant in early spring a week or two before the typical last frost.

Or, plant them in pots indoors in February for transplanting later. Place pots in a south- or west-facing window or under grow lights. Temperatures around 55°F are ideal. In early spring, gradually acclimate plants to outdoors by putting them out for more time each day (bring them in at night). Plant outdoors by mid-April in zones 6 and 7 (mid-May in zones 4 and 5). Spring-planted ranunculus will bloom in June or July.

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Saturday, 28 December 2013

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In the summer of 1973 sunflowers appeared in my father's vegetable garden. They seemed to sprout overnight in a few rows he had lent that year to new neighbors from California. Only six years old at the time, I was at first put off by these garish plants. Such strange and vibrant flowers seemed out of place among the respectable beans, peppers, spinach, and other vegetables we had always grown. Gradually, however, the brilliance of the sunflowers won me over. Their fiery halos relieved the green monotone that by late summer ruled the garden. I marveled at birds that clung upside down to the shaggy, gold disks, wings fluttering, looting the seeds. Sunflowers defined flowers for me that summer and changed my view of the world.

Flowers have a way of doing that. They began changing the way the world looked almost as soon as they appeared on Earth about 130 million years ago, during the Cretaceous period. That's relatively recent in geologic time: If all Earth's history were compressed into an hour, flowering plants would exist for only the last 90 seconds. But once they took firm root about 100 million years ago, they swiftly diversified in an explosion of varieties that established most of the flowering plant families of the modern world.

Today flowering plant species outnumber by twenty to one those of ferns and cone-bearing trees, or conifers, which had thrived for 200 million years before the first bloom appeared. As a food source flowering plants provide us and the rest of the animal world with the nourishment that is fundamental to our existence. In the words of Walter Judd, a botanist at the University of Florida, "If it weren't for flowering plants, we humans wouldn't be here."

From oaks and palms to wildflowers and water lilies, across the miles of cornfields and citrus orchards to my father's garden, flowering plants have come to rule the worlds of botany and agriculture. They also reign over an ethereal realm sought by artists, poets, and everyday people in search of inspiration, solace, or the simple pleasure of beholding a blossom.

"Before flowering plants appeared," says Dale Russell, a paleontologist with North Carolina State University and the State Museum of Natural Sciences, "the world was like a Japanese garden: peaceful, somber, green; inhabited by fish, turtles, and dragonflies. After flowering plants, the world became like an English garden, full of bright color and variety, visited by butterflies and honeybees. Flowers of all shapes and colors bloomed among the greenery."

That dramatic change represents one of the great moments in the history of life on the planet. What allowed flowering plants to dominate the world's flora so quickly? What was their great innovation?

Botanists call flowering plants angiosperms, from the Greek words for "vessel" and "seed." Unlike conifers, which produce seeds in open cones, angiosperms enclose their seeds in fruit. Each fruit contains one or more carpels, hollow chambers that protect and nourish the seeds. Slice a tomato in half, for instance, and you'll find carpels. These structures are the defining trait of all angiosperms and one key to the success of this huge plant group, which numbers some 235,000 species.

Just when and how did the first flowering plants emerge? Charles Darwin pondered that question, and paleobotanists are still searching for an answer. Throughout the 1990s discoveries of fossilized flowers in Asia, Australia, Europe, and North America offered important clues. At the same time the field of genetics brought a whole new set of tools to the search. As a result, modern paleobotany has undergone a boom not unlike the Cretaceous flower explosion itself.

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Flowers are such a ubiquitous and familiar part of our modern world that it is easy to take them for granted. But as Darwin recognized, the exquisite details of their structure and appearance have been shaped by evolutionary processes over millions of years. This lecture will explore current ideas on the evolution of flowers based on new information from living plants as well recent discoveries in the fossil record. Questions that are currently a focus of active research and that will be addressed in the lecture include: Where did flowers come from? What were the earliest flowers like? What have been the major innovations in flower evolution over the past 100 million years? And, returning to a question of great interest to Darwin, how has the evolution of flowers and their pollinators been linked across evolutionary time?

Sir Peter Crane is the former Director of the Royal Botanic Gardens at Kew and is currently a Professor at the University of Chicago. His research interests involve the integration of studies of living and fossil plants, in order to understand large-scale patterns and processes of plant evolution.

Since 1997 when Bergdorf Goodman launched her first collection, Diane James has been creating the most beautiful floral arrangements and orchid plants… and not one of them has ever wilted! Her designs look so real, they are the accessory of choice for top designers such as Michael Smith, Barbara Barry and Mario Buatta.

Diane developed her passion for flowers while living in Europe, mastering the art of floral composition with Lady Pulbrook, the doyenne of English design, and more recently with Kenneth Turner. She turned to "faux" in the 1990’s when asked to create lasting arrangements for her clients’ vacation homes and perfected her signature "just-from-the-garden" style.

With the help of her twin daughters, Carolyn and Cynthia, Diane designs a seasonal collection, inspired by the latest home décor trends. These hand-made creations are available nationwide at the finest specialty stores including Bergdorf Goodman and Neiman Marcus and online at DianeJamesHome.comJane Seymour Botanicals - the most realistic silk flower arrangements imaginable!

Finally! Flower lovers looking for the beauty of fresh flowers in a format that won't wilt and home decor enthusiasts looking for just the right type of floral accent to add to their home or give as a gift have a new home on the internet- Jane Seymour Botanicals!

Though our silk flowers aren’t really silk, they are a gorgeous substitute for live flowers. Jane Seymour agreed with us that our artificial floral designs can't really be called silk flowers. The term "silk" doesn't work because they're not actually silk; so a new name was needed: "permanent botanicals." We chose the term "permanent" since our flower designs are permanent and long-lasting unlike fresh flower. Additionally, the artificial flower arrangements are so realistic that it's very hard to distinguish them from fresh arrangements; therefore, the term "botanical" seemed like the obvious choice. So "permanent botanicals" just made the most sense to us. Take a look at the images on our site, or better yet, order any of our floral designs, get it home to your house, and we're sure you'll agree with their quality and beauty.Highest quality of beautiful artificial flower bouquets & arrangements

One of the main reasons our customers love our silk floral designs so much is that the quality level of the flowers we use in our designs surpasses everything else available in the home décor market today. That’s because we use artificial flowers that are made using special techniques that truly capture the "spirit" of the fresh flower and then translate that into a permanent artificial flower arrangement. Our artificial flowers are each hand-crafted and hand-painted! In fact, even the petals get special treatment with hand-curling that curves essentially flat fabric into the shape that petals have in nature. Whether you’re buying silk orchids, lilacs, lilies or other flowers for interior design, home accents or even to serve as your wedding flowers, always remember the realistic arrangements from Jane Seymour Botanicals.

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With the hand of nature trained on a beaker of chemical fluid, the most delicate flower structures have been formed in a Harvard laboratory -- and not at the scale of inches, but microns.

These minuscule sculptures, curved and delicate, don't resemble the cubic or jagged forms normally associated with crystals, though that's what they are. Rather, fields of carnations and marigolds seem to bloom from the surface of a submerged glass slide, assembling themselves a molecule at a time.

By simply manipulating chemical gradients in a beaker of fluid, Wim L. Noorduin, a postdoctoral fellow at the Harvard School of Engineering and Applied Sciences (SEAS) and lead author of a paper appearing on the cover of the May 17 issue of Science, has found that he can control the growth behavior of these crystals to create precisely tailored structures.

"For at least 200 years, people have been intrigued by how complex shapes could have evolved in nature. This work helps to demonstrate what's possible just through environmental, chemical changes," says Noorduin.

The precipitation of the crystals depends on a reaction of compounds that are diffusing through a liquid solution. The crystals grow toward or away from certain chemical gradients as the pH of the reaction shifts back and forth. The conditions of the reaction dictate whether the structure resembles broad, radiating leaves, a thin stem, or a rosette of petals.

It is not unusual for chemical gradients to influence growth in nature; for example, delicately curved marine shells form from calcium carbonate under water, and gradients of signaling molecules in a human embryo help set up the plan for the body. Similarly, Harvard biologist Howard Berg has shown that bacteria living in colonies can sense and react to plumes of chemicals from one another, which causes them to grow, as a colony, into intricate geometric patterns.

Replicating this type of effect in the laboratory was a matter of identifying a suitable chemical reaction and testing, again and again, how variables like the pH, temperature, and exposure to air might affect the nanoscale structures.

The project fits right in with the work of Joanna Aizenberg, an expert in biologically inspired materials science, biomineralization, and self-assembly, and principal investigator for this research.

Aizenberg is the Amy Smith Berylson Professor of Materials Science at Harvard SEAS, Professor of Chemistry and Chemical Biology in the Harvard Department of Chemistry and Chemical Biology, and a Core Faculty Member of the Wyss Institute for Biologically Inspired Engineering at Harvard.

Her recent work has included the invention of an extremely slippery material, inspired by the pitcher plant, and the discovery of how bacteria use their flagella to cling to the surfaces of medical implants.

"Our approach is to study biological systems, to think what they can do that we can't, and then to use these approaches to optimize existing technologies or create new ones," says Aizenberg. "Our vision really is to build as organisms do."

To create the flower structures, Noorduin and his colleagues dissolve barium chloride (a salt) and sodium silicate (also known as waterglass) into a beaker of water. Carbon dioxide from air naturally dissolves in the water, setting off a reaction which precipitates barium carbonate crystals. As a byproduct, it also lowers the pH of the solution immediately surrounding the crystals, which then triggers a reaction with the dissolved waterglass. This second reaction adds a layer of silica to the growing structures, uses up the acid from the solution, and allows the formation of barium carbonate crystals to continue.

"You can really collaborate with the self-assembly process," says Noorduin. "The precipitation happens spontaneously, but if you want to change something then you can just manipulate the conditions of the reaction and sculpt the forms while they're growing."

Increasing the concentration of carbon dioxide, for instance, helps to create 'broad-leafed' structures. Reversing the pH gradient at the right moment can create curved, ruffled structures.

Noorduin and his colleagues have grown the crystals on glass slides and metal blades; they've even grown a field of flowers in front of President Lincoln's seat on a one-cent coin.

"When you look through the electron microscope, it really feels a bit like you're diving in the ocean, seeing huge fields of coral and sponges," describes Noorduin. "Sometimes I forget to take images because it's so nice to explore."

In addition to her roles at Harvard SEAS, the Department of Chemistry and Chemical Biology, and the Wyss Institute, Joanna Aizenberg is Director of the Kavli Institute for Bionano Science and Technology at Harvard and Director of the Science Program at the Radcliffe Institute for Advanced Study.

Coauthors included Alison Grinthal, a research scientist at Harvard SEAS, and L. Mahadevan, who is the Lola England de Valpine Professor of Applied Mathematics at SEAS, Professor of Organismic and Evolutionary Biology and of Physics, and a Core Faculty Member at the Wyss Institute.

The project was supported by National Science Foundation grants to the Harvard Materials Research Science and Engineering Center (DMR-0820484) and the Harvard Center for Nanoscale Systems (ECS-0335765); and by the Netherlands Organization for Scientific Research.

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